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After the Wedding (Bier S.)


If the film was judged to themes, then the rankings compiled by rating would be non-profit charities, which the subject would look and sighed: "Uh touching. Uh very human, very tough argument." Maybe the inclusion of law and without going through the street, that is the vision, the Assets to be preserved. Fortunately for us not, the difference in film does not do the topic you choose, but the language in which you choose to communicate. If not then we might as well shut up shop: everything has been said already, all hath been shown already, now everything has been said.
They say that children, even toddlers, are able to feel good if a parent's love is sincere or not, I say that the priority for a film lover is to understand an author if it is, because it only works if a movie together the theme, there are two basic elements: the frankness and confidence in the show, the craft in other words. In the film
Bier there are both, and even if - as I said - The family, the necessity of the links are themes used every other day and the other as well, makes all the difference in "After the Wedding" is the language used, what the projected out by the voices of the choir is the story of worlds at odds: India and Denmark, poverty and need for affection of the citizens of the former, opulence, luxury and numbness in the latter. Denmark - but a bit 'all over Europe, as the Bier through his land he wanted to do an overview of the entire West - has lost all traces of allegiance, all virtue, sentiment, there is no more space for an old and atavistic as the family institution, is currently a clear nihilism. Instead, when his camera focuses more towards the east, between the austerity of those places, there is a fire of joy that burns in each of those children. This gap hits, catches the eye with clarity, but there is also something that attracts our attention, another element that makes the difference, and it return, redemption, and a new space imperative that the icy Denmark gives the much mocked and mistreated warmth, Jorgen, Helene and Jacob we cling firmly, aware of how everything's been absent. And then there is a strong magic and redemption in the film by Susanne, his fellow citizens ask for forgiveness, crawling and begging to come back to hear something again.







There is so much fervor in human Bier's film, so much passion and zeal in those early plans, in those details, the need for energy, vitality. He showed a fast-paced world, without scruples or conscience, and then redeem it and save it with a great authenticity.
I feel a special taste when a director able to grasp the reality, its contradictions, hypocrisy, and "After the Wedding," there are many, and then wink to life, is almost "in spite of everything we are here, nevertheless we always need someone / dares. " It is this which to me makes the difference: we can address the same subject, but if you can not be pure, clear, clear and true, your movie will always be artificial. Bier's film is clear as crystal.
Splendid zoom and details, splendid. Bravissimo
each cast member, Sidse Babett Knudsen (Helene) all

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Want to share


last few days in the newspapers is the whole party candidates and once again what has emerged is the unwillingness of women to participate in the elections. Once again there was talk of women and has not spoken with them. Evidently
is the common conviction that the thoughts and desires of women are not important, why is not given any weight to what women think and want (and they say, all right if they say!). Yet a small shouts
enough to be able to flow their thoughts and the world would know what women want. A
you this space!

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Dancer in the Dark (L. Von Trier)


keystrokes emotions is not easy task, because this route before your fingers to the key right One moment you turn into complete sentences everything you've heard, which is roughly a kind of synapses between brain and heart, and I, when I try (usually it is just a rant) by writing to communicate and share something, I feel a bit 'as Woody when he says that "often the heart and brain do not get along, my parents would not even say goodbye ". But I'm here to make an effort.
And it takes a lot of effort to "sing" the keys in front of a movie like "Dancer in tha dark" because it is not easy to rationalize and reduce the life of Selma logical words, would end up diminished, and then better let the images speak, or better let her sing, Selma: girl next to blindness, with a miserable and exhausting work, solitary, a little 'clumsy and a son who unfortunately lost in the near future for sure also the view. Already, a modern depressing picture comes to mind, but no, we do not even try, because all the adversity that sadly surround his life, will find a wall that stands against them, a Chinese wall - indeed, just that she never will see in life - that prevent them from passing the breakwater. The strength of Selma is incredibly beautiful, is stoic, impressive, his charisma, his attachment to life, his love for her child is so energetic by Stone, I say, from a fistfight when compared to the weakness of the characters that surround.
Selma is a river in flood is impossible to drain, a storm of joie de vivre that overwhelms everything, a bomb, a bomb of life, a ... My complete sentences were completed. But there is still something I want to say. Resist.
Von Trier plays landscapes, and the choice of atmosphere to surround the frail, spineless, devoid of energy, enhances and emphasizes the yellow glow of a marker, the determination of Selma: steady, indomitable. She is ... heroic, his devotion to his son is great because there is too exhausting shift that distract her from the sole objective: to make his son Gene, allowing his eyes still see, still live. That's why I find it impossible to "transfer" of emotions between the one who beats on the keyboard / Tom writes and / Caio it's there waiting of being invaded, because as you can to talk about these keys in an appropriate manner, before the exploits of a creature like that? As you can tell enough about a film that knows so much about life? A woman loving her so madly, he wants his son to enjoy the full, see the full?
Selma is now in the dark, almost no longer sees almost no more forces after yet another night shift, but resists and resists, and continues, driven by the mission to Gene, and while Bill, for the pathetic economic problems , wants to do away with life, while her dark, continues to dance.
The character of Selma is a true oxymoron in that society weak and without foundation, with a force Ercolini, taurine, a perpetual motion, there is life, life, life, life in his soul, energy, strength, crazy love in his heart. It's absurd, it is virtually impossible and absurd to have to have them sing these damn keys (how many times have I said?), Because I realize that, having exhausted all reasonable and rational word or expression to share the excitement of "Dancer in the Dark" I still have the feeling of not doing enough to quest'eroina. In fact - I think perhaps too late, maybe I'd better write: "10, a masterpiece. See it!" - You can not make the reader participate in such power and joy of living, if you have not observed Selma daydream of being the star of a musical, while she presses around the dark, while life is getting harder, but not enough money, while the savings for the operation of the child are not enough, when everything seems so dark. In spite of everything she sells, even of a millimeter. Anything can happen, but Selma will dance forever, forever. She will dance for Gene.

"They say it's the last song,
do not know us see.
is the last song only if we allow it to be."

10. I've got thought long and hard, I now have confirmation that I can not in any way to be objective seeing dance, then you'll excuse me if there's nothing up here that makes sense. I've got to try to 'synapses are blessed, but I can not. It's a bit' as if you put my feet in the air you salt all the blood to the head, here, in front of Selma, all rooms the heart.

Milean Velba Facebook

Ellie Parker (S. Coffey)


Ellie Parker looks like a character built for the Watts (because the film is actually a series of short films focusing on the character of Naomi): actress unfortunate that attempts to engage all the way to be , which tries to appeal to directors, producers, scriptwriters, but more people in general. Ellie wants to be accepted, approved, accepted, wants to feel part of the world, and as the same is true if it fails in real life, staged dozens of fictional characters, thinking and hoping that at least one of them is appreciated and welcomed joy from people.
But unfortunately nothing to do, no writing, even the pseudo-Ellie are good for that world out there, and then we end up an actress not understand anything: "What is the right Ellie? Will I ever find one that will appeal to people ? How damn hard to be accepted. " Ellie
So, despite having molded and shaped many versions of itself according to the rules of society, yet do not like. At this point you might as well stop pretending, to finish with the desire to conform and to please others, distorting itself, might as well just be Ellie Parker, with all the necessary consequences and pace of the approval of others.

Coffey's film embodies all the complexity and difficulty of simply being ourselves, especially now in the era of conformity, cloning a human chain all the same. But in the end there has always been the urge to be accepted, everyone has always sought its own space, and when not found, it tends to change, to mutate. When we discover that something is wrong, when we realize that we are different, and that the real 'I' is not recognized and approved, all commit the same mistake: we are transformed to adapt to what they want, and this is only and exclusively for one thing: to please them, to feel appreciated and welcome. "Ellie Parker" is the hard work of those who fight to remove the coveted ticket belonging to the people, who try in every way not to be excluded, who squirms and struggles to join the group of those who screams: "Here we are, too."
It's hard to survive playing only yourself, you have to sweat a lot, is a dirty and uncomfortable, and you look a bit 'that we have to do to feel accepted. Good luck.

Watts is huge, has churned out a test "whimsically sublime": unhappy, hysterical, inspired, angry, sweet, angry, dreamy, restless, eager, bitter, paranoid, and the use of digital contributes exponentially to mark the thousand and one nuances of his face, brings out his histrionics, a flood close-up of first and manage to capture perfectly every mood swings, every flight of fancy from emotion to another, and Coffey is very good at knowing how to grasp. Absolutely fantastic. The film should be seen if only for his performance, sewn especially for you, but it's worth as a film tout court: it is honest, sincere, genuine, able to effectively reveal - the fit is a digitally - the feverish lives of those who try in every way to carve his way of thinking, of looking at life, love, or more briefly to his way of being, a space between the crowd.

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Puglia has not missed an opportunity

women (or at least not just women), but Puglia has missed an opportunity to increase political, social and cultural when they were not even taken considered the amendments to the electoral law that would Puglia involved the adoption of rules aimed at ensuring the participation of women in the institutions.
The lack of women in institutions leads to a real social exclusion and is therefore primarily a symptom of weakness, not women, but the political and institutional representation, of his inability to understand the whole community.

The lack of women in the places where you decide how and by what means to protect the common interests, the interests of all *, not only adversely affect the status of women, but it is a problem of democracy itself, is not a gender issue , but rather, for civilization.

Look at a problem from different points of view involves the adoption of more effective and quality solutions for women and men have different approaches, experiences, different skills. We do not believe is possible, in good faith, unaware that would benefit all * the contribution that the gender perspective is able to provide the economic policy, the urban planning, land protection, justice, tourism, policies environmental, agricultural, labor, health, education and research, domestic and foreign policy ...

Strangely, he regularly invokes the "different female subjectivity" where used to justify the alleged unsuitability of women, as such, for perform tasks or play roles, it denies the other hand, just as timely when it comes to ascribe characteristics that at least they connote a difference and therefore involve a different angle of view that, if used, would enrich the content and practices of politics.

victimization of women? No: report of a real social discrimination.

It 'time to think about different forms of political participation by the parties as in any other form that rely consciously or unconsciously, the choices for all * a few *; forms of political participation, which eschew the hierarchies that are based instead on shared objectives and methods to achieve them.
UnDesiderioincomune

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Steve Mc Curry-SOUTHEAST

is done: I've seen the show McCurry. I must say that I liked very much. A very good show ... well structured. I was able to enter when the queue was still limited ...
I left satisfied. most beautiful images divided x theme (eg, war, childhood, etc)
prints effectively lit and placed on the wall but not in the middle of the room, suspended by wires from the ceiling placed on the floor.
A beautiful show that I recommend to everyone to be able to go.

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You dear mother


"I dedicate to you dear mother this poem for your birthday! "
your daughter Maria Teresa


You dear mother


Tu Mama always loved me with you dear friend

difficult time
Thou dear companion
game
You dear teacher
severe and comprehensive
To you dear mother
from your little girl

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The place (E. Olmi)


One test, two tests: one theoretical, the other self. Questions, so many absurd questions. The voltage of your own, the impatience of the response. It seems that your life depends on quell'esito, it seems that at the time you play everything, if you're good to go downtown, you have a POST .
Everything revolves around it, everything depends on it and there is so much apprehension in the room (packed with boys and girls, the young hopeful) that this response - suitable or unsuitable - almost takes the form of a sentence, a verdict: dead or alive?

Domenico - fifteen accustomed to country life - make it, it is now safe, a permanent place in Milan means no more hardship or sacrifice, fortune smiles and real life is about to begin. But enough on the first day to notice a thing, indeed, of many things:

The director looks at him down, grabbing his colleague's the best place, all run, they all seem alienated, distant, sucked into a fast-paced world, mechanics.
many men and women, once you step in and clock in, turn into something different, take a different form, take on a different epithet: employees, and all, from building that houses them, seems suddenly surrounded by an air cooler, detached and sterile.
Domenico, accustomed to simple values, the quiet rhythms of rural life, is displaced and confused in front of that cold and chaotic goings industry. It almost seems that there is no contact between those people, as if that place had created insurmountable distance between them, and, in the cold of those areas, any form of relationship, body heat is lost to sempre.Ecco because, while industrialization running madly forward carrying with it the ice age and burdened with Milan-working, stand out and shine in that gray, the game looks sweet and the race hand in hand through traffic and beds of Domenico and Magali, can bring back the polar temperatures to human city.

While telling time, that the economic boom, "The place" is a film that speaks a modern language, that never goes out of fashion because they always present: that of work. I will say more, Olmi's film is more sincere, true, and today someone else's far more recent, because it describes with great simplicity and realism, the surprise and dismay of a young provincial - accustomed to a type of work, a kind and a conception of life, relationships between women, ways of thinking, old, anchored to the traditions of an Italy pre-modern mainly of peasant - was catapulted into the mechanics unleashed and industrialization. We are now in the XXI century also, something has changed in Milan olmiana? How much difference is there between those early employees and those of today? None.
Domenico, through her eyes dreamy and naive, you witness firsthand a historic change that will create a different man: alien, swallowed, absorbed, slave almost as much at the mercy of the workplace.
showing the sweet moments of boyish enthusiasm between the protagonist and his partner, Olmi can create a detachment, a paradox, an oxymoron I would say, that in itself has all the leitmotiv: whooping and glacial city opposed to that first love tender. The final look of Dominic, but still stunned and bewildered, he already knows he will have to struggle hard to survive in that "place" .