Ellie Parker looks like a character built for the Watts (because the film is actually a series of short films focusing on the character of Naomi): actress unfortunate that attempts to engage all the way to be , which tries to appeal to directors, producers, scriptwriters, but more people in general. Ellie wants to be accepted, approved, accepted, wants to feel part of the world, and as the same is true if it fails in real life, staged dozens of fictional characters, thinking and hoping that at least one of them is appreciated and welcomed joy from people.
But unfortunately nothing to do, no writing, even the pseudo-Ellie are good for that world out there, and then we end up an actress not understand anything: "What is the right Ellie? Will I ever find one that will appeal to people ? How damn hard to be accepted. " Ellie
So, despite having molded and shaped many versions of itself according to the rules of society, yet do not like. At this point you might as well stop pretending, to finish with the desire to conform and to please others, distorting itself, might as well just be Ellie Parker, with all the necessary consequences and pace of the approval of others.
Coffey's film embodies all the complexity and difficulty of simply being ourselves, especially now in the era of conformity, cloning a human chain all the same. But in the end there has always been the urge to be accepted, everyone has always sought its own space, and when not found, it tends to change, to mutate. When we discover that something is wrong, when we realize that we are different, and that the real 'I' is not recognized and approved, all commit the same mistake: we are transformed to adapt to what they want, and this is only and exclusively for one thing: to please them, to feel appreciated and welcome. "Ellie Parker" is the hard work of those who fight to remove the coveted ticket belonging to the people, who try in every way not to be excluded, who squirms and struggles to join the group of those who screams: "Here we are, too."
It's hard to survive playing only yourself, you have to sweat a lot, is a dirty and uncomfortable, and you look a bit 'that we have to do to feel accepted. Good luck.
Watts is huge, has churned out a test "whimsically sublime": unhappy, hysterical, inspired, angry, sweet, angry, dreamy, restless, eager, bitter, paranoid, and the use of digital contributes exponentially to mark the thousand and one nuances of his face, brings out his histrionics, a flood close-up of first and manage to capture perfectly every mood swings, every flight of fancy from emotion to another, and Coffey is very good at knowing how to grasp. Absolutely fantastic. The film should be seen if only for his performance, sewn especially for you, but it's worth as a film tout court: it is honest, sincere, genuine, able to effectively reveal - the fit is a digitally - the feverish lives of those who try in every way to carve his way of thinking, of looking at life, love, or more briefly to his way of being, a space between the crowd.
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