If the film was judged to themes, then the rankings compiled by rating would be non-profit charities, which the subject would look and sighed: "Uh touching. Uh very human, very tough argument." Maybe the inclusion of law and without going through the street, that is the vision, the Assets to be preserved. Fortunately for us not, the difference in film does not do the topic you choose, but the language in which you choose to communicate. If not then we might as well shut up shop: everything has been said already, all hath been shown already, now everything has been said.
They say that children, even toddlers, are able to feel good if a parent's love is sincere or not, I say that the priority for a film lover is to understand an author if it is, because it only works if a movie together the theme, there are two basic elements: the frankness and confidence in the show, the craft in other words. In the film
Bier there are both, and even if - as I said - The family, the necessity of the links are themes used every other day and the other as well, makes all the difference in "After the Wedding" is the language used, what the projected out by the voices of the choir is the story of worlds at odds: India and Denmark, poverty and need for affection of the citizens of the former, opulence, luxury and numbness in the latter. Denmark - but a bit 'all over Europe, as the Bier through his land he wanted to do an overview of the entire West - has lost all traces of allegiance, all virtue, sentiment, there is no more space for an old and atavistic as the family institution, is currently a clear nihilism. Instead, when his camera focuses more towards the east, between the austerity of those places, there is a fire of joy that burns in each of those children. This gap hits, catches the eye with clarity, but there is also something that attracts our attention, another element that makes the difference, and it return, redemption, and a new space imperative that the icy Denmark gives the much mocked and mistreated warmth, Jorgen, Helene and Jacob we cling firmly, aware of how everything's been absent. And then there is a strong magic and redemption in the film by Susanne, his fellow citizens ask for forgiveness, crawling and begging to come back to hear something again.
There is so much fervor in human Bier's film, so much passion and zeal in those early plans, in those details, the need for energy, vitality. He showed a fast-paced world, without scruples or conscience, and then redeem it and save it with a great authenticity.
I feel a special taste when a director able to grasp the reality, its contradictions, hypocrisy, and "After the Wedding," there are many, and then wink to life, is almost "in spite of everything we are here, nevertheless we always need someone / dares. " It is this which to me makes the difference: we can address the same subject, but if you can not be pure, clear, clear and true, your movie will always be artificial. Bier's film is clear as crystal.
Splendid zoom and details, splendid. Bravissimo
each cast member, Sidse Babett Knudsen (Helene) all
0 comments:
Post a Comment