Probably Italian cinema is among those who best managed to tell his reality. There are countless films that portray faithfully. What Germs complaint with the classic bitter irony typical of our cinemas, Italy radical-chic. Radical-chic is not in the political sense, but social bigots out monsters inside. And they are all involved eh, men, women, justice, religion, a whirlwind of atrocities hidden behind a wall of silence and hypocrisy. Everyone goes to hell, or it does not matter with whom, but the important thing is to save the appearances, respect and reputation. And what was (is) Italy if not this? Of course yesterday - having regard to respectability, Catholic and non-conformism, of which he was imbued with morality - as of today?
And how handsome the final Moschin / Osvaldo that covers his ears, tired of chaos quell'infido of people around him and led him away and Italy, the only sincere thing, love between him and Miles?
frank, mocking, teasing and full of the typical dish of our cinema: bitter laughter in Italian dressing.
superb cast
G. Moschin head and shoulders above all
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